tajmahal thinking


(Source: you-belong-among-wildflowers, via officialdollyparton)


Diana Ross backstage at The Apollo Theater by Bruce Davidson, 1965

(VIA Magnum Photos)

(Source: dianaross, via vintagegal)

likeafieldmouse:

Jon Rafman - Brand New Paint Job (2013)

likeafieldmouse:

Jon Rafman - Brand New Paint Job (2013)

(via azucarloco)

Rose Bowl 🌈 (at Pasadena Rosebowl)

Rose Bowl 🌈 (at Pasadena Rosebowl)


Frank Horvat-  Paris, Le Sphynx, 1956 (via)

Frank Horvat-  Paris, Le Sphynx, 1956 (via)

(Source: vintagegal, via vintagegal)


2001: A Space Odyssey | 1968 | Stanley Kubrick

(Source: caryjojifukunaga, via vintagegal)

mooonjellies:

l’oeil ouvert

mooonjellies:

l’oeil ouvert


post-impressionisms:

Katsushika Hokusai: Feminine Wave and Masculine Wave

(via vintagegal)


"A photograph is a secret about a secret. The more it tells you the less you know." - Diane Arbus

(Source: vintagegal, via vintagegal)

sloppy:

Zak Ato

sloppy:

Zak Ato

(via azucarloco)


The photography of William Eggleston

A native Southerner raised on a cotton plantation in the Mississippi Delta, Eggleston has created a singular portrait of his native South since the late 1960s. After discovering photography in the early 1960s, he abandoned a traditional education and instead learned from photographically illustrated books by Walker Evans, Henri Cartier-Bresson, and Robert Frank. Although he began his career making black-and-white images, he soon abandoned them to experiment with color technology to record experiences in more sensual and accurate terms at a time when color photography was largely confined to commercial advertising. In 1976 with the support of John Szarkowski, the influential photography historian, critic, and curator, Eggleston mounted “Color Photographs” a now famous exhibition of his work at the Museum of Modern Art, New York. William Eggleston’s Guide , in which Szarkowski called Eggleston’s photographs “perfect,” accompanied this groundbreaking one-person show that established his reputation as a pioneer of color photography. His subjects were mundane, everyday, often trivial, so that the real subject was seen to be color itself. These images helped establish Eggleston as one of the first non-commercial photographers working in color and inspired a new generation of photographers, as well as filmmakers. 

Eggleston has published his work extensively. He continues to live and work in Memphis, and travels considerably for photographic projects. (x)

(Source: vintagegal, via vintagegal)

tamburina:

Charles H. Traub, Italy, 1980’s

tamburina:

Charles H. Traub, Italy, 1980’s

(via fleecehoodie)


(Source: stardustcrusades, via fleecehoodie)

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